SDSU Food and Art Panel Discussion and closing of A Thousand Plates


On March 26, 2015, we partnered up with San Diego State University and local artists, faculty, students and the public to begin a conversation about the state of art today and how it provokes a deeper investigation of important cultural subjects like food and seeds. This panel discussion was held in conjunction with A Thousand Plates/An art exhibition about food and culture organized by Arzu Ozkal and Eva Strubal. The exhibition press states:

“A Thousand Plates explores the topic of food as a means to question society by examining traditions across cultures and throughout the centuries. The exhibition will examine food as a fundamental need, modern food production and its relationship to the environment, the culture of eating and its relationship to memory.

Our exhibition title refers to Deleuze and Guattari’s “A Thousand Plateaus: Capitalism and Schizophrenia"—a philosophical text written with a rhizomatic structure—where connections between ideas and references defy linear, structural, or casual relations. Every point can conceptually link to somewhere else. In our view, our relationship to food is similar. The production, consumption, distribution and marketing of food is connected to tradition, culture, individual and social taste as well as health care, environmental issues, and global politics that shape the contemporary society.”


The exhibition was filled with representations of not only food but also the materials and ideas that we ingest daily as forms of sustenance, folly, and disgust.

A Thousand Plates

Eating Disorder, Still from digital video, 00:01:57, 2006

Arzu Ozkal’s work titled, Eating Disorder, digital video, 01.57 minutes, 2006 was the first work encountered on a large flat screen, where from beginning to end a mouth, hands, and a freshly opened tube of lipstick are shown consuming the red of lips of the body. Only half the face can be seen cringing as the lipstick is literally eaten.

Local artist shares his collection of design artifacts from food labels, napkins, and other markations of the food industry
A Guide for Responsible Seasonal Consumption, detail
A Guide for Responsible Seasonal Consumption, detail
That evening we also met Cristal Chen who is a Graduate Alumni from SDSU in Graphic Design. She participated in the panel and discussed her conceptual and creative process for producing the project, Farmers and Me. Cristal explained that before taking this project on she worked for a major fast-food chain as a graphic designer and it sparked her interest and concern with food, eating, local farms, and healthy communities. During her thesis she realized that what she really wanted to do was use her skills as a designer to not only create visual information about relationships between farmers, food, and consumers, but also expand her process to include creative engagement through public interaction. She produced and gifted 4 different “visual recipes” called "A Guide for Responsible Seasonal Consumption" that showed how to cook with frill, cauliflower, kohlrabi, and beets. These also included pictures and quotes from local farmers and directions to the farm. Here is a link to the project Farmers and Me: http://farmersand.me/about/

Listen, as Cristal shares her Seed Story: https://soundcloud.com/seedbroadcast/cristal-chen-talks-about-the-inspiration-behind-her-project-farmers-and-me


Food and Art panelists (SeedBroadcasters, Jeanette Hart-Mann and Chrissie Orr far right)


Into the evening visitors checked out the Mobile Seed Story Broadcasting Station and gathered to talk about the creative capacity of art to grow, feed, and nourish the mind and body. Like a seed.

We would like to thank Arzu Ozkal and SDSU for funding our travel to San Diego in order to participate in this panel discussion, which also enabled us to visit with many seed savers, farmers, gardeners, and mechanics en route. Mucho Gracias!

This event was also sponsored by San Diego State University School of Art + Design, SDSU Art Council, Common Experience SDSU, and Arts Alive SDSU
Jeanette Hart-Mann

Jeanette Hart-Mann is a farmer, artist, activist and teacher committed to the transformative potential of traditional ecological knowledge, embodied land-based practices, creative engagement and more-than-human-relationships. Her current research is focused on agroecology, environmental justice, and eco-social storytelling. Her practice is iterative, emergent and interdisciplinary. She weaves farming, wild crafting, and ecological restoration with video, sculpture, photography, installation, fiber arts, and writing. Hart-Mann is Co-Founder and Co-Director of SeedBroadcast (seedbroadcast.org) an artist collective committed to uplifting the culture in agri-Culture through creative public engagement, Seed Stories and seed sharing. She is also lead farmer, seed steward, and shepherdess at HawkMoth Farm where she is designing and implementing experimental climate-resilient polycultures through integrative plant, animal, soil, and human habitation while producing food for local communities.  Hart-Mann is Co-Director of RAVEL at The University of New Mexico and Associate Professor of Art & Ecology. RAVEL is a field-based Art & Ecology program supporting the intersection of place-based research through art making, community-engagement and professional practice. She received her BFA, summa cum laude and University Honors, summa cum laude at The University of New Mexico and her MFA in Visual Arts from Vermont College of Fine Arts. 

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